This Woman’s Work

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Last weekend, I watched the last episode of the current season of Dr Who. I didn’t mean to, it just happened, and even though the whole season’s only been absorbed via synopsis, I stayed to the end and was rather glad that happened. The last 45 seconds was so far out of left field as to be a genuine surprise: I won’t spoil it as this is still relatively recent, but fans have a very interesting situation at play, knowing at the end of the Christmas Special we’ll see another regeneration. However, I’m sticking to the assertion that unless the show’s creators break the mould so firmly it is indistinguishable from what has come before, my time with the franchise remains pretty much done.

Then on Wednesday, I read this in the Guardian:

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Okay then, so is this really a possibility? Phoebe has been in a number of critically acclaimed drama series but is hardly a household name. That gives her solid credentials off the bat (in fact I am reminded of David Tennant coming from Casanova to the TARDIS) and now I’ve done some research, yes she’d be absolutely perfect. Reminded that Mr Capaldi used the f-word as Malcolm Tucker more than a few times, Ms Waller-Bridge using the c-word in Fleabag seems almost acceptable as part of the entrance exam. The problem, of course, is that BBC3 hit comedy is going to be filming a second season in November this year which might put her off the radar in terms of availability… but hang on, why am I even considering that this woman could be the Doctor?

At some point, one of these so very British, male-dominated bastions has to be stormed.

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If you’ve paid any modicum of attention to my writing journey, you’ll know I’ve had a go at redefining the 00 Section in my own way. That sea change is probably even further off long term than Who is, lets be honest, but the fact that actors of colour and race are considered and summarily dismissed shows that hey, at least in that regard I’m not alone in wanting change. The problem, undoubtedly, is the notion of canon and traditionalism: Who and Bond remain very much a product of the ages they were created in. That age, for many people, is not to be disturbed or altered in any way, shape or form. For 007, the notion of insouciant masculinity as attractive clearly still rings true, but sadly the form that now takes is becoming less and less palatable. Only when that is deemed unacceptable by mainstream media, then perhaps the wind will change. Don’t hold you hopes out, though.

With a rapidly ageing population, many of whom are resistant to change (and if the Brexit vote is any indicator very much against anyone trying to make them European) the suggestion that you could have a Bond who didn’t sleep with anyone unless it was absolutely necessary and maybe cared more about teamwork than working alone is going to be met with very short shrift. In fact, when I hear many men talking about a female Bond it is in the context of simply changing this misogynist man into a sociopathic woman. That’s not actually an improvement, fellas, it simply gives you a whole new wank fantasy.Β  Real, developmental change involves you thinking outside of the bedroom, or outside the TARDIS, depending on your point of view.

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Dr Who used to be a fairly asexual affair until the Moffat bloke got involved. Now sexuality is an issue, that makes the woman/man lead role shift even more awkward for the Who people. Except, watching the last episode of Capaldi’s Doctor, and the two Masters effectively flirting with themselves? There was so much potential subtext to be read into that episode: countless references to how women and men do things differently, that sexuality is largely irrelevant in just about anything once you gain the ability to look past the people involved. Honestly, of the two bastions of Britishness, Who seems the one more likely to crack first.

Now I have to hope it will come sooner than later.