I’m going to talk today, both here and on the writing site, about my NaNoWriMo choice. The latter gets a more clinical attack on subject matter and motivation but here I feel compelled to discuss an issue that continues to irk, and has made me stop and think about what it is I write and how. My main protagonists in this story are a white man and an Egyptian woman. There’s a really good reason for this: I feel really comfortable writing them.
On many days, I believe I’m a true mixture of both.
There is absolutely no doubt I am completely happy being biologically female, especially now the curse that used to afflict me monthly has gone. I’m at ease with the body I am rebuilding and feel no desire to alter the fundamental construct. However, it would be disingenuous to say I believe I think and act in the way I see a large number of women do. Makeup holds no allure. I do not desire to dress or act in an overtly feminine manner anymore, and the same is true of tending towards masculinity as an alternative. In terms of appearance, androgyny is increasingly appealing. However, my sexual appetite and desires remain unchanged.
There is a part of me that wishes we didn’t need to make specific social groups the enemy, but feminists need white men to hate them and people of colour and ethnicity deserve the right to hate everybody who is white because they’re in charge. I get all this, I really do, the complex social and ethnic strata that now damns and defines every action taken as a writer. Yes, I could make my male protagonist Afro Carribean but I don’t feel comfortable appropriating because no, I sure as fuck don’t have permission.
My Egyptian woman comes from a time period I know a lot about and (again) feel I can write with a measure of conviction. The key here is confidence, not political correctness or social mirroring. I am very much a product of my age, but the characters that are chosen as my cast need to have believability in the story told. In that regard, supporting characters mirror the ethnicity of the World but are not at its core. There’s a reason for this, as will become clear in the narrative, but for now, I’m happy with why my fictional people are the way they are.
A lot of this is down to simple biology, as this is a story with science at the core. There has been a crucial change however to the sexuality of a number of characters, based on acceptance of what I am becoming as a human being. In many ways, this story has the potential to become hugely autobiographical, if I allow that to happen. However, what matters most is the sanctity of plot and action. I’m not here to make a political statement, simply reflect what I am when writing.
Mostly, last night I stayed up late and stared at my work in progress and found myself thinking ‘somebody will hate this because I made a white man the hero.’ Then came the more significant revelation: whatever happens, someone will be upset. If I spend my life worrying about the reaction of others and don’t simply do what matters most to me, then there will be no progress at all. This is about narrative on my terms, and as a result… we stay with the plan, and I stop stressing.
Whatever I produce will be the best of what I am.
2 responses to “It’s A Man’s Man’s Man’s World”
If you haven’t upset someone, it can be cogently argued that you’ve said nothing of significance.
I <3 you Roger :D