There’s been some quite robust discussion in the house over what should happen at weekends. As a result, on Saturday and Sunday nothing was written as part of a plan. I’ve stated in other places that now writing is my job, there is requirement for alternate means to relax when that doesn’t happen. Saturday was gaming, Sunday was the Tate Modern. Both had their surprises.
I’ll write at length about Olafur Eliasson in the week, as his exhibition caused an unexpected anxiety attack. It’s a measure of my progress that didn’t utterly ruin the day. It also provided a surprising amount of material that I now wish to write about, so in that regard I’m very happy with the entire weekend’s exercise. If there was worry previously over being unable to be creative, this has greatly assuaged it.
— đź—ż Sarah Reeson 🎆 Writer/Content Creator đź—ż (@MoveablePress) August 11, 2019
I’ll be in a forest in a week, which is the holiday I’ve been looking forward to for a lot longer than was previously believed. There’ll be a lot of writing there, but all the real work will happen when I come back. Many things will be pulled from their spaces on hard drives to be re-written. I’m ready to do that now, and instead of using new stuff as contest entries, it’s going to be old things, re-imagined.
I’m surprisingly determined at what will be achieved.
There are amazing comebacks, and there are four goals against Barcelona. You’d have to be pretty hard-hearted as a football neutral not to appreciate the sheer awesomeness of this performance, especially that fourth goal. If there were ever a case of ‘see an opportunity then take it’ then that was it. You have to know the moments when it is time to attack. Most significantly, you also need to know when to step back.
I’ve been trying for about three months now to crack short story technique, to no avail. Ironically, the only story written and submitted this year as non-fiction is already shortlisted. Maybe a decade of blogging has taught me a few things about what makes a compelling story when presented as reality. The building blocks are there, undoubtedly, but what is lacking is the compelling execution of ideas.
‘But hang on,’ I hear you say, ‘you’re writing a daily short story, isn’t that helping?’Â Amazingly yes it is, because undoubtedly there’s a chance to think through and grasp a story-line over time, which is where I’ve been failing miserably thus far. My ideas are full of holes, and only after a LOT of thought can I produce a fully-formed end result. It’s like having all the pieces of a puzzle, but no idea of the picture they make.
It’s taken about least two years to get head around the complex mechanics of poetry, and only now is work beginning to emerge in what I’d consider my true voice. There is undoubtedly a learning process at play: right now confusion is winning over clarity. Nothing is actually finished and there’s at least a dozen stories part-written, maybe more; why this is happening need to be understood as a matter of priority.
I know what’s wrong, and am already planning a path forward where work on technique can happen across the summer. As with everything else, it requires time and effort to block out space in which to work, and then to do so. Organising myself is no longer an issue. With this skill, and the ability not to stress that certain competitions or awards don’t get an entry, we’ll fix my issues.
As you read this, I hope to be standing on an island, taking pictures. That is the plan, at least, as it is Day One of Photography for the poetry project. This was always going to be the mentally busy one too, and it is certainly working out that way. Keep an eye on the Instagram feed for pictures, of which there will be several as the week goes on. I’m hoping for decent weather: if the BBC website is to be believed, that’s not a problem.
However, having the running order sorted now, everything feels a fair bit more organised.
— Sarah Reeson đź“– Fiction, Non Fiction & Poetry (@InternetofWords) May 12, 2019
It’s roughly four locations a day that need covering, and they’re lumped together in geographically-sensible groups, so there shouldn’t be too much travel time. I’ve already scoped out all my locations and have some pictures of them all, this is just me taking pictures of the things picked to be part of the final collages. Needless to say, quite a bit of work has gone into all this.
All things being equal, I’ll be back here LIVE on Tuesday, as all those locations are gonna be covered after I’ve done counselling…
DAY 14:Â The end of 2018 deserves to be pushed out with a bang.
One from the vaults; Here's the KERMODE UNCUT blog from March 2010 which (according to legend) confirmed to TV execs that I was definitely not the droid they were looking for. I still find it funny:https://t.co/98BidsEmwX
Blogging used to be a largely unassuming, cottage industry, but in 2019 it will become a bigger business than has ever been the case. The key, of course, is getting people to talk about your product with an air of genuine interest, and then that being used to further promote brands that rely on the word of mouth such endeavours create. Except, of course, there are those of us who don’t give a flying fuck about such associations.
What matters most, in the end, is truth. Kermode’s scathing deconstruction of why 3D is such utter creative bobbins might have (allegedly) ruffled industry feathers but it highlights both integrity and intelligence that ought to matter far more to those of us pursuing a balanced view of the World around us. Except, of course, more and more that’s not nearly as important as putting food on the table.
It’s that moment you dread when the much loved small streamer looks uncomfortable doing ads for the company that decided they’re capable of making sensible people buy their product. It’s the break in favourite podcast where hosts all talk about the sponsored service in their ‘style,’ desperately attempting to make you interested. It is the depressing, inescapable creep of corporate takeover that now consumes (almost) everything online.
Sponsorship isn’t necessary or required, of course. Except, inevitably, if a company believes your work is the best place to sell their wares, who in their right mind will turn down a lucrative placement deal? It’s one of those Moral Dilemmas that is easy to pronounce as a no-brainer right up until the moment someone hands you a contract. Honestly, will you be the one to say ‘nope’ when the amount offered really will change your life? Does it even have to be money? Is being approached enough to alter your outlook?
It will, ultimately, all depend on your notion of Success. I turned down a couple of offers during my time as a small-time gaming blogger, one of which was a) impressive and b) would have actually made me money. The more it’s thought about, the greater is my satisfaction that, at least in this corner of the Internet, there are quite enough other people lining their pockets in this fashion. Yes, it’s cash, but not required for my individual notion of success.
This year there’s thought to approach a number of Mental health charities to freely publicise their efforts, after which there’ll be a push for people to give ME money to pass onto them. Blogging has never been about doing words as a business, always as hobby:Â over a decade plus that mindset has never really changed. I don’t resent or object to those who are doing just this, and don’t envy them either. It’s hard enough to write regardless, without the shadow of a corporate contract hovering in the background.
If you can be honest regardless, that’s a good place to start.
Since the #MeToo Movement emerged in Hollywood (and beyond) the knives have been out for Ian Fleming’s secret agent. It is no surprise, on reflection: if you wanted a genre that had male dominance stamped all over it, here it is. Despite various attempts to shift emphasis (and a distinct move away completely from women as objects that began with the Casino Royale reboot in 2006) Mr Craig’s shower entrance in Skyfall gets an entirely understandable mention in that montage. What might once have been considered sexually charged gains a different hue when consent isn’t obvious, or indeed bothered with.
The people who make Bond quite obviously know they have a problem. A look at the @007 Twitter feed or the Official Website make this all too apparent: nothing controversial, a real emphasis away from the sexual and overly misogynist aspects of the movies, with shift towards what could be considered a more family-friendly outlook. To that end, I can now buy a Funko 007. There’s a 10p Coin of the Realm in a Bond stylee. At the weekend, a friend quite gleefully linked me a tweet which would appear to suggest the iconic DB5 is soon making a debut in brick format.
Those of you concerned that Danny Boyle’s gonna stuff up Bond 25 should bear in mind that there’s a lot at stake here besides the transfer of 007’s License to Kill. The world does need heroes, of that there is no doubt, but it is clearly time to ensure that diversity and respect get a fairer hearing than was previously the case. If the push into less controversial territory in terms of merchandising (and a new installation in the Alps in a location where SPECTRE was filmed that ignores all those scantily clad ladies completely) it’s a fair shout that you’ll be fixating on plot far more than has normally been the case.
The tabloids are full of casting rumours, we know when it starts shooting. Bond 25 has a lot to live up to, quite apart from public expectation. The groundwork already being done already suggests the direction that we’re heading may be distinctly different to those trodden before. Time will tell.
PS: I’ve written my own take on the current 007 and how there could be the means to introduce a female into the iconic slot on the MI6 roster. It seems like a good idea to shove some self-promotion in here…
It has always been the plan, as money allowed, to get a bunch of kick-ass artists to create self-portraits for the top-left hand corner of this website. Fortunately I know a lot of people plying their trades online, so it is literally the cash holding me back. The first of these was by @Goobijen and is now replaced by a piece produced by @byelacey. I’ve got one more in the pipeline and once that’s completed, we’ll crack on finding some new people to draw me.
It is VITALLY important, IMO, to allow other people to show you how they perceive you. If all you want is someone to produce a picture that is an exact, accurate likeness, then take a photograph. That's not how art works. A part of the artist's soul is injected into their vision.
— 🌊 Sarah Creates : Shonky Gubbins 🌊 (@AlternativeChat) June 13, 2018
I am beyond happy with the new header. Once there are enough, we’ll start rotating them on a monthly basis.
I promise there will not be too much going on about The New Project this week, but as it all kicks off tomorrow, this seems like the correct moment to explain just how fucking important Arguto is. This is the means by which anything is possible and acceptable as a writer. Sure, there could be an extension of self in any one of the three existing places that are provisioned for writing, but all of them come with a measure of immovable baggage. This place is new, fresh: the most pristine of clean slates. Here can be written the part of me that’s been hidden for decades.
This is where I will finally be free.
I expect the first steps to be tentative and cautious, but already ideas are germinating that will, in time, become brilliant blooms. Laying down a month of ambient vibes across the other platforms is a means by which brain relaxes into the grooves, and begins to run a better course. The plan, long-term, is to use a number of pre-planned projects as a basis for experience-based writing. This will begin with the ten days in August put aside for the road trip to Rome, ambition finally realised after several decades.
After that, there are plans to use London as a springboard but to also explore the place that is called home. Potentially there’s an infinite supply of source material at my disposal, what is required is the planning and organisation to pull everything together. Crucially, there will be physical evidence of all of this as a paper-based version of the online narrative is produced initially for free, but in time with the possibility of charging people to cover printing fees.
There, I said it.
I’m grateful to those already preparing to make this journey because it is reassuring to know you are not alone. Rest assured, its already a roaring success without a word being written.
Freedom gives a sense of confidence I’ve never found anywhere else in my life.
